When bronze meets flower arrangement — Chinese artist offers special art show in Japan

(Xinhua)09:13, August 05, 2020

What does it feel like to insert evergreen pine branches into the bronzes of ancient Chinas Western Zhou Dynasty (1046-771 BC)? Recently, a special art show is taking place at Wang Chuanfeng Museum in Ginza district in downtown Tokyo.

Wang Chuanfeng, a Chinese artist who has been living in Japan for almost 30 years, inserted peony, orchid, pine branches into various bronzes, while Japanese prominent photographer Yoshihiko Ueda used a 50-year-old Deardorff camera to produce photos.

Wang has his own unique sense of beauty. He creates flower arrangement works from the perspective of oriental art aesthetics, while I use my own aesthetic and intuitive feeling of Japanese culture to photograph the artistic moments, Ueda said.

Wang said they started cooperation three years ago, creating 100 photographs of flower arrangements in 100 bronzes.

I hope our cooperation can use the present life to awaken the ancient life. Through the fusion of ancient and modern times, history and present, spirit and reality, the audience will experience the fusion and collision of Chinese and Japanese aesthetics, said Wang.

This is not the first time Wang has collaborated with a photographer. Five years ago, he cooperated with celebrated Japanese photographer Kishin Shinoyama to photograph flower arrangements in ancient bamboo baskets in architectural spaces designed by Kengo Kuma, a globally acclaimed architect.

Most of the baskets used in the last shooting were from Japan, and people felt that there were too much Japanese elements. Therefore, I want to have an artistic cooperation that can fully reflect the Chinese elements. Undoubtedly, bronze ware is the most historical and unique equipment with Chinese characteristics, said Wang.

Kuma, who watched the shoot at the scene, spoke highly of the collaboration.

This is a masterpiece of cooperation between the two masters, conveying the eastern aesthetic concept. The sense of beauty is different from western thinking, which emphasizes that life and art exist separately, but in the eastern Zen world, there is art in life and life in art,he said.

In fact, arranging flowers is just Wangs hobby and his major is painting. The artist is known for his fish paintings, which have appeared on two Japanese stamps and were once used to decorate the Diaoyutai State Guesthouse in Beijing, China.

Over the years, Wang has been committed to people-to-people exchanges between China and Japan.

During the COVID-19 outbreak, Wang donated 300,000 face masks to Chinas Wuhan city and Zhejiang province through friends. When face masks were in short supply in Japan, he bought a large number of masks from China and donated them to the University of Tokyo and other agencies.

I just did something within my power, said Wang, Although I am living abroad, my heart connects with my home country. I hope that I can serve as a bridge for people-to-people exchanges between China and Japan so that our two peoples can jointly fight the pandemic and overcome difficulties.

Art exhibition showcases Chinas COVID-19 fight

(Xinhua)09:42, August 05, 2020

A fine artwork exhibition, featuring the Chinese peoples fight against COVID-19, is being held at the National Museum of China.

The exhibition offers a glance at the countrys epidemic containment efforts, peoples daily life in the anti-virus struggle, the resumption of work and production, and medical assistance to other countries.

The nearly 200 works on display include traditional Chinese paintings, oil paintings, sculptures, calligraphy, seal cutting and other fine arts.

The event, which opened Saturday and will run for two months, was organized by the National Museum of China, in collaboration with the China Artists Association and the China Calligraphers Association.

China assists Cambodia in the restoration of Angkor historical ruins

(lmcchina.org)10:02, August 05, 2020

In the northwest of the ancient city Angkor, despite the fact that on-site excavations are being suspended, preparatory work for the preservation and restoration of the project and archaeological investigation is still being maintained.

The Royal Palace site is located in Angkor Monuments World Cultural Heritage Area and covers a 142,000-square-meter area. The China-Cambodia archaeological team entered the Royal Palace site and started archaeological work in November last year. Wang Yuanlin, head of the project, said that the reinforcement of the northwest tower gate and overall archaeological investigation works have been completed.

In the next step, the research will continue to carry out excavation work on the outer courtyard of the northwest gate and the trench, and will clean up the stone remnants scattered in the courtyard.

Cambodia and UNESCO launched an international action project to preserve the ruins in 1993. China was one of the initiators and earliest participants in the preservation work and has helped restore the Chau Say Thevoda and Ta Keo sites in Angkor. In January 2018, Chinese and Cambodian governments signed the agreement on the Exchange of Notes on the Implementation of the Restoration Project of the Royal Palace Ruins of Angkor Wat.